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Bob Edge

Georgia & Oriel 1960

Born in 1938 in Lawrenceville, Georgia, Bob Edge studied at the University of Georgia before going on to Oxford to read for a second undergraduate degree in PPE (philosophy, politics and economics). After Yale Law School, he took up a position with Alston, Miller & Gaines (now Alston & Bird) in Atlanta and remained there for 58 years, focusing on estates and trusts work. Throughout his time as a practising lawyer, and now in retirement, Edge has been a vigorous supporter of the arts and of education, sitting on the board of the Metropolitan Opera and helping to set up the Foundation Fellows programme at the University of Georgia. His support has also been vital to the Rhodes Trust. A member of many Scholarship selection committees over the years, Edge was also the president of the American Association of Rhodes Scholars (AARS), where he pioneered the Bon Voyage weekend for newly elected Scholars from the US and Canada. This narrative is excerpted from an interview with the Rhodes Trust on 18 September 2024.  

‘A very typical Southern town’ 

I grew up in Lawrenceville, which was a very typical Southern town. I felt privileged to grow up in a small town, because that dynamic is so important, with everybody in the same rowboat, except, of course, that at that time, it was all segregated. I was a tiny boy, redheaded, and people say to me, ‘Well, were you bullied?’ but I never was, because the other people in my town would not have stood for that. So, I loved growing up there.  

I had a great education when it came to English literature and that sort of thing, although in my little country high school, we had almost no science. But the memorable element of my education was that I was interested in music, and so, when I was in seventh grade, I was taken on by the head of the music department at the University of Georgia in Athens. I started going over there for piano lessons with Hugh Hodgson, who was what you might call the musical czar of Georgia at that time. It was a life-changing experience for me. When I started going to the Brevard Music Center, I even thought for a time I might have some kind of career in music, but I had the sense to know that I wasn’t good enough to be a professional pianist and I expanded out.  

On applying for the Rhodes Scholarship 

At the University of Georgia, I was involved in all kinds of activities and I kept winning all kinds of awards, but I didn’t know anything about the Rhodes Scholarship, except that Morris Abrams (Georgie & Pembroke 1939) had won one. He came to speak to the Phi Kappa Literary Society when I was president, and he spoke to me afterwards and said I should apply. I thought, ‘Well, I might as well try.’ When I won it, I was thrilled, although even then, I didn’t know exactly what it meant.  

When I was elected, I was the first Rhodes Scholar to come from Georgia for about 14 years. There was a lot of excitement about that, and I was actually invited to speak to the Georgia legislature. What does a 22-year-old say to the Georgia legislature? Well, that was when we were going through the integration crisis, and the legislature was debating whether to keep the public schools open or to close them, rather than integrating them. I was later told that I was the first person to openly say on the House floor, ‘Gentlemen, we have got to keep the public schools open.’ It seems crazy that they would even think of closing them rather than integrating them, but I take pride in having said that.  

‘I decided to take advantage of the cultural opportunities’ 

My class of Scholars from the US sailed over to Southampton together, and it was a wonderful way to get to know one another. I remember the bus arriving in Oxford late in the evening, and the driver saying, ‘All out for Oriel.’ So, I got out, and it was pitch black, with no lights. I managed to find my way to the door, but the porter wasn’t very friendly, and I was thinking, ‘Where in the world am I?’ Just then, Ron Lee (Minnesota & Oriel 1959) came out and said, ‘You must be Bob Edge. I’ve been waiting for you, because I know how traumatic it was last year when I arrived here and I was left on my own.’ He took me to my staircase, and introduced me to a few people, and I was off and running.  

I started off intending to read English, but I wasn’t really enjoying the books that had been recommended beforehand, and then I met a lawyer in Atlanta who had been at Oxford, and he suggested I should think about law. When I got to Oxford, I still wanted to be a lawyer, but I did not have a good start with the law course, and so, I switched to PPE. I have to say, my tutors were not great. So, instead of working to get a first, I decided to take advantage of the cultural opportunities there. While I was at Oxford, I went to over 100 operas and over 150 plays, and had the most incredible trips in the UK and in Europe. I know exactly what I did, because every day, I would write a letter or postcard home to my parents, and my mother kept all of them, around 710 or so. It’s been wonderful to recall those rich details of my life at that time.  

‘It was just right for me’ 

I went on to Yale Law School, and when I graduated, I was asked if I wanted to consider a clerkship. But by then, I was 27 and I wanted to get back to Atlanta and start working. I joined Alston, Miller & Gaines and I worked doing whatever was expected. I had actually been offered a job with a firm I worked with in New York, and because of the musical resources there, I was tempted to take it, but I came back to Atlanta, and I’m so glad I did. I ended up specialising in estates and trusts law, and it was just right for me. It was so highly personalised. I would sometimes find myself working with several generations of the same family. My clients would become my friends, and my friends would become my clients.  

There was also a lot of crossover with my love of opera, not least because a lot of the clients I worked with were also opera-goers. My passion for opera has been so important throughout my life. I became the head of the group that sponsored the Metropolitan Opera tour to Atlanta, and because of that, I was then asked to join the advisory board of the Met. Later, I was asked to join the managing board. I taught and still teach classes, trying to take people who know little about opera and music in general and say, ‘Let me tell you why this is wonderful.’ Music has provided so many special opportunities. Jimmy Carter, who had been a client of mine, became a friend, and my wife Betty and I would invite him and his wife to the opera. Later, when he was President, I even managed to get him to come to the Met, and we’ve maintained our friendship to this day.   

Alongside law and music, I feel so lucky to have had the opportunity to work with the American Association of Rhodes Scholars. As president, I introduced the Bon Voyage weekend, to give newly elected Scholars a chance to get to know each other and former Scholars across a few days, now that Scholars don’t sail over together. I think I’ve also been on 31 selection committees, which may not be a record, but surely comes close. And, of course, giving back to the University of Georgia is also something that is very easy, because it’s done so much for me. When I think about the things I’m proud of doing, one that comes very near the top is starting up, with others, the Foundation Fellows programme at the University of Georgia. This year, the University of Georgia had three Marshall Scholars, and one of those three didn’t take the Marshall, but only because she took the Rhodes instead! 

‘The Rhodes Scholarship was unbelievably impactful’ 

To today’s Rhodes Scholars, I would say, don’t listen to people who were at Oxford more than five years ago! All the dynamics have changed so much. Certainly, for me, the Rhodes Scholarship was unbelievably impactful, although I should say, being a Rhodes Scholar and having served on selection committees, there is so much luck involved in getting the Scholarship. I think virtually anybody who makes it to the final stages would do just as well as any of us did. So, my central feeling about the Scholarship – about my life, in fact – is gratitude for what I’ve been given. 

Transcript

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